- “At-Tariq,” an exhibition by Tarek Atoui, is showcased in Madrid’s Museo Nacional Thyssen-Bornemisza, in collaboration with TBA21 and Fundación Ecolec.
- The exhibition highlights the musical traditions of North Africa’s Amazigh communities, focusing on cultural preservation and pure soundscapes.
- The title “At-Tariq” means “the one who arrives by night,” symbolizing nighttime travel and cultural connections.
- Atmospheric installations with Majlis-inspired settings enhance the visitor experience, using materials like bronze and ceramics.
- Collaborations with sound artists Ziúr, Susie Ibarra, and Nancy Mounir blend traditional Amazigh music with modern electronic sounds.
- The exhibition encourages cultural dialogue and artistic exploration through events such as night tours, concerts, and workshops.
The heart of Madrid pulses with the enigmatic sounds of Tarek Atoui’s “At-Tariq,” a pioneering exhibition that bridges soundscapes from the rugged Atlas Mountains to the polished halls of the Museo Nacional Thyssen-Bornemisza. This enthralling journey, presented in collaboration with TBA21 and Fundación Ecolec, marks Atoui’s first solo exhibition in the vibrant city.
In an evocative exploration, the exhibition sheds light on the rarely heard musical traditions of North Africa’s Amazigh (often referred to as Berber) communities. With a nod to cultural preservation, Atoui illuminates their rural sounds, unblemished by commerciality or academia.
The title, “At-Tariq,” which intriguingly translates to “the one who arrives by night,” conjures images of nighttime travelers seeking warmth and refuge. This dual meaning beautifully parallels the guiding “Morning Star,” reinforcing the notion of light fostering connection and understanding across civilizations.
Rich canvases of sound permeate the space at Thyssen-Bornemisza, where visitors are invited to experience the artistry within the intimacy of Majlis-inspired settings—welcoming areas adorned with plush sofas, intricate rugs, and a myriad of musical instruments. These installations, shaped from diverse materials like bronze and ceramics, offer a kaleidoscope of tones, meticulously crafted during Atoui’s artist residency in Córdoba.
Crafted hand-in-hand with fellow sound artists Ziúr, Susie Ibarra, and Nancy Mounir, the exhibition harmonizes traditional Amazigh folk songs with modern electronica in a masterful improvisation that transcends auditory limits.
Francesca Thyssen-Bornemisza, a champion of sonic arts, lauds the exhibition’s role in cultural dialogue. As visitors immerse themselves in this sensory symphony over the coming months, they will also partake in an enriching tapestry of night tours, concerts, and workshops. “At-Tariq” not only celebrates past and present harmony but also shines as a beacon for the uncharted paths of artistic collaboration.
Unlock the Mystique of Tarek Atoui’s “At-Tariq”: Insights and Practical Tips for Your Visit
How-To Steps and Life Hacks for Visiting “At-Tariq”
1. Plan Your Visit: Check the Museo Nacional Thyssen-Bornemisza website for exhibition dates and times. It’s wise to book tickets in advance to avoid long queues.
2. Optimal Experience: Visit during quieter hours, possibly in the morning, to enjoy a more intimate setting.
3. Engage with Workshops and Tours: Make the most of the interactive components, including night tours and workshops, which can enrich your understanding of the exhibition.
4. Leverage Technology: Use headphones, if available, to dive deeper into the soundscapes for a more personalized experience. Ensure your devices are fully charged to capture moments and engage with digital elements.
Real-World Use Cases of Sound Art in Cultural Preservation
– Community Engagement: Similar exhibitions have been used worldwide to bring attention to endangered languages and cultures. Sound artists often collaborate with local communities to document, preserve, and present their musical heritage.
– Educational Tool: Such exhibits can complement academic curricula, offering students hands-on learning experiences about anthropology, ethnomusicology, and cultural studies.
Market Forecasts and Industry Trends in Sound Art
The global sound art market, part of the broader contemporary art sphere, is expected to grow as art enthusiasts and collectors show increasing interest in multisensory experiences. Institutions like TBA21 support innovation in this field, suggesting a trend towards heightened industry engagement with immersive and interactive art forms.
Reviews and Comparisons
– “At-Tariq” vs Traditional Art Exhibitions: “At-Tariq” stands out with its combination of traditional sounds and modern electronica, creating a unique auditory experience often missing in typical visual art exhibitions.
– Visitor Reviews: While formal reviews are sparse, early visitors praise the multi-sensory depth of the exhibition and its ability to transcend simple sound playback.
Controversies and Limitations
– Cultural Sensitivity: When dealing with indigenous music, sensitivity is crucial. There’s a thin line between appreciation and appropriation, and projects must ensure they involve and respect the originating communities.
Features, Specs, and Pricing
– Interactive Installations: Crafted from materials like bronze and ceramics, the sound installations are both auditory and tactile, inviting exploration.
– Admission Pricing: Prices vary based on the Thyssen-Bornemisza’s standard gallery entry, with discounts often available for students and seniors.
Security and Sustainability
– Sustainability Efforts: Fundación Ecolec’s involvement suggests a focus on sustainable practices, potentially incorporating eco-friendly materials and promoting environmental awareness through the arts.
Pros and Cons Overview
Pros:
– Engages multiple senses for immersive learning.
– Fosters cross-cultural understanding and dialogue.
– Innovatively blends traditional and modern soundscapes.
Cons:
– Complexity may overwhelm those unfamiliar with sound art.
– Potential underrepresentation of artists from the source communities.
Recommendations for an Enriching Experience
– Explore Workshops: Participating in workshops can provide practical insights into sound art creation.
– Reflect on Each Soundscape: Take time to sit and reflect in each Majlis-inspired setting, embracing the cultural narratives they represent.
– Engage Entirely: Attend as many components of the exhibition (such as concerts and night tours) as possible to fully appreciate the diversity and depth of Atoui’s work.
Conclusion
In conclusion, “At-Tariq” by Tarek Atoui at the Museo Nacional Thyssen-Bornemisza offers a compelling journey through sound that bridges the past and future. By planning your visit effectively and engaging deeply with the installation, you can unlock the profound stories embedded within these rich soundscapes. For more information on cultural exhibitions, visit the Thyssen-Bornemisza Museum and TBA21 websites.
Remember, the beauty of sound art lies in its ability to speak to each of us in unique ways—be open to what “At-Tariq” might evoke for you.
